We Live In Time Review: Andrew Garfield and Florence Pugh Star in a Heartfelt Drama
John Crowley’s new film “We Live in Time” brings a refreshing simplicity to the romantic drama genre. This film tells a straightforward love story: a couple falls in love, navigates the challenges of intimacy, family dynamics, and the desire for children, and ultimately confronts the ultimate adversary of romance—death. The names of the characters, Almut (Florence Pugh) and Tobias (Andrew Garfield), may raise eyebrows, but their story is rooted in universal themes.
Almut is an ambitious Anglo-Bavarian chef aspiring to compete in the prestigious Bocuse D’Or, while Tobias, the more conventional half, works as a mid-manager at Weetabix. What sets “We Live in Time” apart is its unfiltered approach to romance, presenting an emotional journey that mirrors the lives of everyday people. Elements familiar to the melodrama genre—cancer battles, debates about parenthood, and awkward first dates—are seamlessly woven together, creating a narrative that resonates deeply with viewers. The film’s publicists even provided tissues to critics, foreshadowing the emotional experiences audiences can expect.
The film’s unique storytelling choice is its non-linear structure, which does not hide plot twists but rather allows for a more balanced exploration of the characters’ lives. This technique prevents the narrative from dumping all the heavy moments at the end, instead providing a steady emotional cadence throughout.
Pugh shines as she brings depth to Almut’s character, whose diagnosis with ovarian cancer forces her to confront the weight of her choices and the legacy she will leave behind. As she navigates her fears about mortality, the film delves into themes of ambition and love, highlighting the complexities of her character. Meanwhile, Tobias, while not overly complex, is devoted to Almut and desires to be a nurturing partner and father.
The film is peppered with poignant details that add layers to the story. For instance, Tobias shares a close relationship with his father, and Almut’s past as a skilled professional in another field adds depth to her character. However, these revelations serve to enrich rather than redefine the narrative.
Crowley does an admirable job of avoiding sentimentality, steering clear of the overly glossy romance typical of films like “Love Actually.” The emotional moments feel earned rather than forced, and although the subject matter is heavy, the film does not dwell in the mire of sadness often found in cancer dramas. The performances, particularly Pugh’s, bring a relatable humanity to the film that resonates with audiences.
While “We Live in Time” offers a unique storytelling technique, it may feel slightly contrived in its execution. The emphasis remains on living fully and cherishing the moments shared with loved ones rather than merely focusing on time running out. It’s about the legacies we create and the memories that endure.
Crowley, known for his work on stirring dramas like “Boy A” and the Oscar-nominated “Brooklyn,” manages to balance emotional weight with a polished visual style in “We Live in Time.” Even if the stylistic choices feel unnecessary at times, the film’s core emotional elements deliver a powerful impact.
With a solid rating of 8 out of 10, “We Live in Time” opens in theaters on October 11, 2024.
