Queen – Command Performance: Live at the Hammersmith Odeon – Christmastime 1975 – Bootleg Review
If you’re a fan of bootleg recordings, you’ll want to check out a fascinating release from Queen titled Command Performance: Live at the Hammersmith Odeon – Christmastime 1975. This gem was recorded on December 24, 1975, and it has quite a history. Originally released sometime in 1976, this bootleg is as basic as it gets—a simple green cover featuring a photocopied image of the band and the setlist in stark black print. There’s no flair on the back, and the vinyl labels are plain white with handwritten indications for Side One and Side Two. It’s delightfully low-key.
Of course, as with all bootlegs, this one comes with its quirks. The first track is incorrectly noted as “Now I’m Sure” instead of the actual title, “Now I’m Here.” Additionally, there’s an amusing misspelling of Roger Taylor’s name as “Rodger Taylor,” which is a small detail but one that bootleg enthusiasts often appreciate for its authenticity.
This particular bootleg does not capture the entire concert; it’s a single LP, meaning several tracks and some medleys didn’t make the cut. However, what’s included is truly extraordinary. This performance is significant as it was broadcast live on the BBC, marking a historic moment for the band.
As far as sound quality goes, this recording stands out with remarkable clarity, with only slight imperfections. It ranks among the highest quality bootlegs I’ve come across. However, it’s important to note that this bootleg has become somewhat obsolete due to the official release of this show on November 20, 2015, under the title A Night at the Odeon – Hammersmith 1975. Despite this, there’s something about bootlegs that I cherish, especially since this one holds a treasured place in the 1970s bootleg landscape.
One of the reasons this bootleg is so highly sought-after is the unique selection of tracks—many of which were later dropped from live performances and haven’t appeared on any official release from that era. While the official version exists, this bootleg feels more genuine and special in its own right.
Now, let’s dive into the music. The show opens with “Now I’m Sure”—well, technically “Now I’m Here.” There’s a minor glitch in the sound quality with a bit of tape drag at the start, but that’s hardly a deterrent. The overall performance is electric, showcasing the band’s incredible talent. Brian May, John Deacon, and Roger Taylor are all firing on all cylinders, and Freddie Mercury’s vocals deliver an exceptional presence.
From there, the energy only escalates with “Ogre Battle,” a track that blends metal with Freddie’s charismatic flair. Brian May’s guitar work is breathtaking, particularly explosive as a gong signals the song’s end. Following that, the band delivers a stunning medley featuring “Bohemian Rhapsody,” “Killer Queen,” and “The March of the Black Queen.” At the time, “Bohemian Rhapsody” was dominating the airwaves, and hearing it live reaffirms Freddie’s powerful vocal abilities—what you hear is all him, no studio tricks.
The first side concludes with “Brighton Rock,” beginning with a sharp riff from Brian that grabs your attention immediately. Freddie’s vocal performance remains intense as he and Brian seamlessly trade energy, particularly in the standout six-minute guitar solo that demonstrates just how phenomenal May is.
Flipping to side two, the band starts with “Keep Yourself Alive,” a track characterized by its frantic tempo. Freddie continues to impress, while Roger and Deacon maintain an impeccable groove. There’s even a brief moment for a drum solo from Roger, leading into another guitar showcase from May before Freddie takes the reins again.
“Liar” follows, clocking in at over eight minutes—a thrilling jam session that highlights the band’s synergy. Each member plays off one another, crafting a captivating experience with vocal deliveries that oscillate between ardent and almost chant-like.
Next up is “In The Lap of the Gods,” but this version is slightly shortened. It transitions smoothly into “Seven Seas of Rhye,” capturing the band’s studio-like precision in a live setting. Although Freddie’s range isn’t quite as high as usual, the blend of piano and guitar remains captivating.
The bootleg concludes with “See What A Fool I’ve Been,” a B-side that brings a bluesy feel to the set, showcasing fantastic guitar and bass interplay, making it an unexpected yet enjoyable end before “God Save the Queen” closes out the performance.
When it comes to bootlegs, this one offers an experience that’s hard to beat. Despite not being a full concert, it features a well-curated setlist from a band still in its early days, with just three albums released at the time. Personally, I rate this bootleg a solid 4.0 out of 5.0 stars. While the official release is available for those who prefer polished recordings, for fans like me, this bootleg encapsulates a nostalgic and historic moment that’s worth owning. Live performances from Freddie Mercury are a treasure in themselves, and this band remains unforgettable.
