Out Of Alcatraz: A Crime Comic Inspired by Hitchcock
Alcatraz has transitioned from a notorious prison to a cultural landmark, enduring as one of the most iconic penal institutions in popular lore. The very mention of “Alcatraz” evokes images of an unbreakable fortress, yet history tells a different tale—specifically, the infamous escape in 1962 when Frank Morris and brothers John and Clarence Anglin sought their freedom. While their attempt to row to safety ended in tragedy, with authorities believing they drowned in the frigid waters, the mystery surrounding their fate remains unsolved.
Now, a new comic titled “Out Of Alcatraz,” penned by writer Christopher Cantwell and illustrated by Tyler Crook, flips the narrative by suggesting that the trio did indeed reach land. However, the question lingers: did they ultimately find freedom? Oni Press has unveiled an exclusive sneak peek into “Out Of Alcatraz” #1, featuring three unpublished pages that may provide some answers.
Cantwell, who gained prominence for co-creating the critically acclaimed series “Halt and Catch Fire,” has established a notable presence in the comic book arena as well. His resume includes a solo series for Marvel’s “Doctor Doom” and a dark retelling of “Sleeping Beauty” titled “Briar.” Crook, celebrated for his work in horror comics, garnered recognition through contributions to the “Hellboy” universe, particularly “B.P.R.D.,” and his own series “The Lonesome Hunters.” His adeptness at rendering shadows, visceral violence, and haunted expressions aligns seamlessly with the tone of “Out Of Alcatraz.”
The comic’s cover art captures attention with its intricate illustrations and minimalist design, echoing the stylings of renowned graphic artist Saul Bass, especially reminiscent of posters for classic films like “Vertigo.” The striking orange and black palette, accompanied by shadowy silhouettes and asymmetric lettering, evokes a sense of period authenticity and aesthetic beauty.
While the 1962 Alcatraz escape was previously portrayed in Clint Eastwood’s 1979 film “Escape From Alcatraz,” which remains a cinematic hallmark, “Out Of Alcatraz” chooses to explore the events unfolding after the escape rather than the incarceration experience. Crook likens the comic to a classic crime or road film from the 1960s, delving into the aftermath of a daring escape.
The opening pages of “Out Of Alcatraz” #1 depict the escape itself, starting with a sweeping view of the forbidding island prison. As panels progress downward, tumultuous waves come to life visually, creating an auditory illusion of crashing surf. The narrative then recounts the real events leading up to the escape, culminating in a poignant image of Frank as he swims, with the caption highlighting the absence of discovered bodies.
In this retelling, tragedy strikes when John Anglin drowns during the escape, prompting Clarence to attempt a rescue, but Frank ultimately brings him to shore to evade capture. Once they reach dry land, the duo finds themselves in Modesto, where they connect with a mysterious woman tasked with assisting their journey across the border to Canada. Cantwell describes her as a pivotal character for the series, symbolizing the complexities of the scenario: “The fugitives are central to the plot, but I found that historical prison breaks often succeed with the help of an external ally. This character embodies that dynamic, providing direction and a tangible goal. Yet, her motives are layered, intertwined with her own struggles, and the reasons for aiding them extend beyond mere financial incentives—there’s an underlying mystery that even the escapees will grapple with.”
While the true destinies of Frank Morris and Clarence Anglin may forever remain shrouded in uncertainty, “Out of Alcatraz” aims to unravel a gripping narrative. The first issue is slated for print and digital release on March 19, 2025.
