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When not entertaining audiences with performances on shows like “Harley Quinn” and “The Marvelous Mrs. Maisel” — not to mention his iconic role in countless reruns of “Seinfeld” — Jason Alexander is busy behind the camera. As a director, writer, and producer, he’s established quite a reputation. Throughout his impressive career, Alexander has directed notable episodes of successful series including “Everybody Hates Chris” and “Young Sheldon,” along with contributing to “Criminal Minds.”
Despite the vast trivia surrounding the legendary “Seinfeld,” many fans remain unaware of Alexander’s significant role as a director on the show. His directorial debut came in 1992 with the season 3 episode titled “The Good Samaritan.” While he did go on to direct a couple of clip shows — those nostalgic and often maligned compilations — it’s the standalone episode that stands out as a testament to his directorial capabilities.
“The Good Samaritan” may not be hailed as a quintessential “Seinfeld” episode, but it’s certainly an entertaining watch, especially knowing that Alexander directed many of his own scenes. In this storyline, Jerry Seinfeld attempts to navigate relationships with two unpredictable women: one involved in a hit-and-run, the other her unfortunate victim. Meanwhile, Alexander’s character, George, finds himself amidst marital chaos after he jokingly offers “God bless you” to a woman who sneezes during a dinner with Elaine, leading to a scandalous affair that forces him to flee town when the woman’s husband becomes a concern.
Kramer, played by Michael Richards, embarks on his own eccentric subplot, experiencing seizures every time he spots Mary Hartman on television. Viewers often remember this episode for its absurdities — Kramer’s bizarre medical diagnosis, George’s clumsy romantic mishaps, and memorable lines like “I am speechless. Speechless! I have no speech!” It showcases the show’s knack for pushing the envelope on moral dilemmas, presenting George’s adultery and Jerry’s fickle sense of duty in an amusing yet shocking manner.
Years later, George’s character evolved into a lovable disaster, famously indifferent to the tragic demise of his fiancée Susan — a plot point that highlighted the show’s unique brand of humor. The series even wrapped up with a finale that cleverly linked back to the “good samaritan” laws, essentially tying it all together.
Alexander, along with writer Pete Mehlman and guest stars like Melinda McGraw and Helen Slater, contributed significantly to this unforgettable glimpse into the morally questionable antics that “Seinfeld” became famous for. His directorial stint undoubtedly opened doors for him in the industry, leading him to feature films like the lesser-known “For Better or Worse.” While that film may not be easily accessible today, fans can still enjoy “The Good Samaritan” and the full “Seinfeld” series currently available on Netflix.
